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Showing posts with label mixed metals. Show all posts
Showing posts with label mixed metals. Show all posts

Wendy Edsall-Kerwin Jewelry

Metal collars that wrap around the
neck in sultry swirls and
asymmetrically-shaped rings and pendants
are just a few examples of the gorgeous
handcrafted jewelry by Wendy Edsall-Kerwin.

Made with sterling silver, copper, 
gemstones and even river rock
  this jewelry evokes a spirit of
spontaneous movement.

I like how the artist innovatively
explores contrasts such as,
rough with smooth, light with dark,
and precious with non-precious.
 












 



See more of Wendy Edsall-Kerwin's work on her website.


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Retrospective of Enid Kaplan

 If you have the opportunity
to travel in Canada
be sure to visit Montreal to see a
fascinating retrospective exhibition
on the life and work
of Enid Kaplan (1954‐2002) at the

One of the first to apply heat to
 reactive metals like niobium,
Enid Kaplan used form and color in unusual ways.
 It's also interesting to note that many of her 
brooches and pendants 
had a talismanic purpose as she was deeply
 connected to the spiritual side of life.
 
 
 





Not only did she create imaginative earrings
she also found delightful ways to display them.
 

 


Be sure to take a look at Enid Kaplan's website
to see a wide range of her work.
 
currently on view until January 13, 2013.
 
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Aleksandra Vali Jewelry


Aleksandra Vali describes her work
perfectly as "feelings carved into metal."
Her highly-textured work revolves
around experiments with silver
combined with various materials
like gold, shells, diamonds, gemstones, pearls,
corals, textiles, lava rocks, and plastics.


A variety of techniques allows her to
make the most out of these materials
through carving, casting, riveting,
oxidizing, etching and metalsmithing.

 


















I especially like how
the rough texture of the metal
is contrasted by
smooth pearls and other gemstones.
 
to see more of her wonderful work.



 
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So Many Rings, So Little Time - Nora Rochel Jewelry

Sometimes it's all about
combining a love of vibrant texture with a
passion for botanical design.

Jewelry created by Nora Rochel
overflows with textural elements.
And it celebrates her vision of hidden gardens
 and botanical domains. 

Her exploration of these themes leads to
jewelry that, as the artist says,
"turns one‘s hands into small landscapes and gardens."

These are like country gardens where the
vegetation is allowed to grow with
wild abandon in secret corners.
Secret corners of those unkempt gardens
tend to shelter the most exquisite
specimens. Discovering those hidden gems is where
curiosity meets delight. That sense of
discovery exists in her jewelry.



 
 








The golden warmth in this ring
is almost luminous.

















She uses different metals and several types
of patination to achieve
different effects.






The key to
 expressing one's inner vision
is to experiment and play.
And throw caution to the wind.
This artist definitely succeeds.

This work has a sense of playfulness
and discovery and enchantment
that's not easy to resist.
Each piece holds a tiny treasure within
its recesses
that begs to be explored.
It's jewelry that's off
the beaten path - where
being an adventurous tourist can be
rewarding.

You can explore more of Nora's
work at her website.
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Marne Ryan Jewelry

Once Upon A Time . . .
there was a daily television program called
the Carol Duvall Show.  
It was a how-to program that provided many
expert demonstrations of crafting
projects all of them done
with a personal touch.
For me the best part of the show's format
was the inclusion of an interview segment
talking with various craftspeople.
The interviewer and camera crew
traveled to someone's studio and
the footage of the craftsperson
at work in their studio
 was always interesting,
educational and inspiring.
And utterly priceless.

One of my favorite episodes featured
Marne Ryan at work in her metalsmithing studio.
She provided a vivid demonstration
of her torch techniques to fuse gold to silver.
What really made a lasting impression
 on me that day,
and what I still carry forward with me,
 is her devotion for her craft.
Even though she's been doing this work
for well over 30 years her passion
still burns as brightly as her torch.


 
Her specialty is fusing high-carat gold onto
textured sheets of sterling silver.
 These sheets of mixed metals
are then transformed
into one-of-a-kind
 jewelry and sculptural vessels.

Here's an example of one of
her awesome cuffs.



She often includes rare and unusual gemstones.

The wide variety of choices (especially her rings!!)
is amazing.
 



Her work shows simultaneous delicacy and
deliberateness that's been translated into metal.
It's an unbeatable combination.
 
 
 
 


She creates a smorgasbord of
cutting edge designs.





Variations on a theme just continue to evolve into ever more strikingly
 beautiful pieces of art to wear jewelry.


The bottom line is that
no two pieces could ever be identical
and the never-ending variations in her work
provide an incredible array of choices.

There is no doubt that her passion
and her torch will always be sparked
by her never-ending inspiration.

More of her exquisite jewelry can be
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Caroline Viene Jewelry

Some people follow their own internal compass.
Caroline Viene unleashes her inner visions
by creating wonderfully decorative jewelry.
Drawing upon her on metalsmithing
background, and utilizing techniques
such as reticulation, fusing,
embossing and roller printing
she purposely sets out to explore 
her own processes in patination,
surface texturing and patterning on 
 metal. 

Her vision is then set free to create
pieces that are richly textured
with strong coloration.
And each piece is more
appealing than the last.






Multiple layers of metal and processes
produce complex pieces filled
with visual and textural interest.






These pieces highlight the techniques she
masterfully incorporates in her work.








True to her training, she uses traditional
metalsmithing techniques to display
her distinctly unique vision.





Color and texture are deftly handled
by this artist who creates not just a piece
of jewelry but a sculptural piece of art.

We believe that the key to
creating art jewelry is
to find a way to express
one's inner vision.

This artist definitely succeeds.
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Exhibition of Art Jewelry - Marilyn da Silva

Exhibitions of art jewelry are always
memorable events. Taboo Studio recently held
 an exhibit of new work created by eight jewelry
artists revolving around the theme of birds.

Titled "Bird by Bird" this exhibit
featured work by Marilyn da Silva,
Christina Goodman, Gabrielle Gould, Judith Hoyt,
and Kristi Zevenbergen

In this post we'd like to showcase
the work of one of these artists:
Marilyn da Silva.
It was very apropos that
she be a part of this show since
her body of work has been inspired
for more than a decade
by all things ornithological.
 Her pieces are rich and lush and tell
specific stories that are augmented
by her personal philosophy.

Here are her words regarding the
 brooches that are part
of this particular exhibition.
These brooches focus on the songbird family known as warblers. They are often difficult to see with the naked eye, but they can fill the air with song. These small treasures along with other songbirds are diminishing in number because of insecticides, feral cats and the loss of their environment due to human intervention. Hopefully, their beautiful songs will continue to enchant us throughout time.

We feel this brooch is one of her prettiest.
Called "Serenata III (Bay Breasted Warbler)."
It features materials such as textured sterling silver
and copper handpainted with gesso and colored pencil.
 It's an example of her wonderful designs
that could easily be displayed as art but
 also happens to be wearable as jewelry.



Here's another lovely example of her work.
This brooch is called "Serenata I
 (American Redstart)."



And this brooch is called "Serenata II
(Black and Yellow Spotted Warbler)."
It's just as delicate and lovely
as the others.



This artist is a master at using nontraditional
coloring techniques on textured metals, and it's
 her immense skill and talent that allows each piece
 to seem alive with subtle, exquisite details.
Who could resist?
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Judith Kinghorn Jewelry

It's very easy to feel drawn to
Judith Kinghorn's jewelry.  Her work
is fabricated using a combination of techniques
 including fusing, embossing, die forming,
and granulation. Using a traditional
goldsmith's tool, a mouth-blown torch, she 
creates highly-detailed jewelry by working with
layers of sterling silver and high-karat gold.
 Using the power of one's breath as part
of the process of creating is a
thought-provoking concept.
She literally breathes life
into her work.

Her botanical pieces are enchanting.
The warmth of gold can be hypnotic,
 and the sharp metallic details
provide a vivid contrast to the gentle
blending of luminous color.
Her pieces are often comprised of hundreds
 of individual components that meld together
 exquisitely. Those separate elements seem
at first to be identical to the all the others
but each is distinctly unique.

 
 


 
Each strand is so similar yet different from the others.
 Multitudinous components are a defining
feature of this artist's work.





These surfaces create a delightful play
of darkness and light.





 We love the luminosity of the gold.




Texture and depth of color produce
a spectacular effect.



There is so much detail and
craftsmanship in these
contemporary designs.
It’s obvious the artist has a talent for
creating work of exceptional beauty.
Not only do we see the hand of
the artist in her work, we sense her
spirit is also ingrained in it.

We hope you enjoy it
as much as we do.
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